Miles Davis: 1986-1991 The Warner Years

Pickup possible at Digelius Music in Helsinki (by selecting the "local pickup" shipping option).

Issued in a Mediabook, with trays for 4 CDs; 5th CD inside a paper sleeve. Also includes a 20-page booklet.

Sticker over the shrinkwrap:
“78 tracks on 5 CD
The ultimate guide to Miles Davis Warner years
Featuring unreleased & rare tracks + Miles Davis guest appearances with Cameo, Scritti Politti, Kenny Garrett, Chaka Khan, Shirley Horn & more…
Also features a 20 page booklet
5249878472”.

Tracks 1-1 to 1-8: Recorded between 2/6 and 3/25 1986 at Capitol Records Studios, Clinton Recording and Le Gonks. ℗ 1986 Warner Bros. Records, Inc. for the US and WEA International for the world outside the US.
Track 1-9 (Siesta) & 1-10 (Theme For Augustine) recorded at Sigma Sound Studios, New York, NY.
Tracks 1-9 to 1-13 (except “Siesta” & “Theme For Augustine” recorded at Amigo Studios, North Hollywood, CA.
Tracks 1-9 to 1-13: ℗ 1987 Warner Bros. Records, Inc. for the US and WEA International for the world outside the US.
Tracks 1-14 to 2-6: Recorded between December 1988 and early 1989 at Clinton Recording, Right Track, Le Gonks West, Ocean Way Studio, The Power Station, Quadrasonic Recording and Electric Lady. ℗ 1989 Warner Bros. Records, Inc. for the US and WEA International for the world outside the US.
Tracks 2-7 to 2-13: Mixed in March 1990 at Hendon Studios, Adelaide (Australia) and recorded at Crystal Studios, Los Angeles, CA. ℗ 1991 Warner Bros. Records, Inc. for the US and WEA International for the world outside the US.
Tracks 2-14 & 2-15 recorded on Saturday, December 17, 1988 at the New York Indigo Blues Club (2nd Show).
Track 2-16 recorded at the Los Angeles Greek Theatre on Sunday, August 14, 1988.
Track 3-1 recorded at the Graz Liebenauer Eishalle at Tuesday, November 1, 1988.
Track 3-2 recorded at Le Zénith – Domaine de Grammond de Montpellier on Wednesday, April 12, 1989.
Track 3-3 recorded at Rome’s Pallazo Della Civita “The Steps” on Wednesday, July 26, 1989.
Tracks 3-4 & 3-5 recorded at the Montreux Casino on Friday, July 20, 1990.
Track 3-6 recorded at the Osaka Expo Park on Sunday, August 7, 1990.
Track 3-7 recorded at Chicago Theatre on Monday, June 5, 1989.
Track 3-8 recorded at the Los Angeles Hollywood Bowl on the 25th of August 1991 from Miles Davis last public performance.
Tracks 2-14 to 3-8 ℗ 1996 Warner Bros. Records, Inc. for the US and WEA International for the world outside the US.
Tracks 3-9 to 4-9: Recorded live at the 25th anniversary of the Montreux Jazz Festival on July 8, 1991. Produced for Quincy Jones Productions. ℗ 1993 Warner Bros. Records, Inc. for the US and WEA International for the world outside the US.
Tracks 4-10 to 4-18: Produced for Bee Mo Easy Productions. Recorded in January/February 1991 at Unique Recording. ℗ 1992 Warner Bros. Records, Inc. for the US and WEA International for the world outside the US.
Track 5-1: Recorded in September 1985. Previously Unreleased Track.
Track 5-2: Recorded in October 1985. Previously Unreleased Track.
Track 5-3: Taken from [url=/release/4357242]Perfect Way The Miles Davis Anthology[/url] (2010).
Track 5-4: Recorded late 87. Taken from [url=/release/4357242]Perfect Way The Miles Davis Anthology[/url] (2010).
Track 5-5: Recorded in late 1987. Taken from [url=/master/84480]Provision[/url].
Track 5-6: Recorded 1988. Taken from [url=/master/5842]Machismo[/url].
Tracks 5-7 & 5-8: Recorded in 1987. Taken from [url=/master/111897]CK[/url].
Track 5-9: Recorded in early 1988. Taken from [url=/master/80432]Zu & Co[/url].
Tracks 5-10 & 5-11: Recorded in 1989. Taken from [url=/master/286112]Prisoner Of Love[/url].
Track 5-12: Recorded in early 1989. Taken from [url=/master/169446]The Sun Don’t Lie[/url].
Track 5-13: Taken from [url=/master/83971]The Hot Spot Original Soundtrack[/url].
Track 5-14: Taken from [url=/master/337217]You Won’t Forget Me[/url].

℗ & © 2011 WEA Music, une division de Warner Music France
Manufactured in the E.U.

Publishers:
Tracks 1-1, 1-3, 1-4, 1-7 to 1-14, 2-1 to 2-4, 2-6, 3-2, 3-3, 3-5, 3-6, 3-8, 5-12: Thriller Miller Music
Track 1-2: Jazz Horn Music Corp. / Thriller Miller Music
Track 1-5: Carlin Music Corp.
Track 1-6: Chrysalis Music Ltd.
Track 1-15: Mycenae Music Co. ASCAP
Track 2-5: Big Slamm Music ASCAP
Tracks 2-7 to 2-13: Gevest Australia Pty. Ltd / F Sharp Productions Ltd. adm. by F. Sharp Productions Ltd. ASCAP
Track 2-14: Zawinul Music Co. BMI
Tracks 2-15 & 2-16: Jazz Horn Music Corp.
Track 3-1: Welbeck Music Corp. / John Bettis Music, ASCAP
Track 3-4: NutBrownAle Music, BMI
Track 3-7: Rellla Music / Dub Notes
Track 3-10: Sophisticate Music Inc.
Track 3-12: Gillian Music / Solar Plexus Music / Celestial Harmonies
Tracks 3-13, 4-2, 4-4, 4-8, 4-9: Bopper Spock Suns Music
Track 3-14: St. Francis Music Co.
Track 3-15: Kurt Weill Foundation For Music / Chappell Co. Inc.
Track 4-1: EMI Longitude Music
Tracks 4-5 to 4-7: Chappell Co. Inc.
Tracks 4-8 to 4-18: Jazz Horn Music / Warner Tamerlane Pub. Corp. BMI / Bee Mo Easy Music ASCAP
Tracks 5-1 to 5-4, 5-10, 5-11: Copyright Control
Track 5-5: Chrysalis Music Ltd. / Warner Chappell Music Ltd.
Track 5-6: All Seeing Eye Music / Better Days Music / Polygram Music Publishing Inc. / Polygram Songs Inc.
Track 5-7: Controversy Music, ASCAP
Track 5-8: Ludlow Music Inc., Regent Music Corp., BMI
Track 5-9: Warner Chappell Music Italiana Srl.
Track 5-13: OPC Music Publishing Inc.
Track 5-14: EMI Feist Catalogue Inc. / Great Foreign Songs

Track 4-10, “Mystery”, contains samples of “Running Away” by [url=/artist/63995]Chocolate Milk[/url], under license from the RCA Records label of BMG Music.
Track 4-11, “The Doo-Bop Song”, contains samples of “Summer Madness” by [a48865], under license from Polygram Special Products, a division of Polygram Group Distribution Inc. Written by Alton Taylor / Robert Mickens / Robert Bell / George Brown / Richard Westfield / Ronald Bell / Claydes Smith / Dennis Thomas. Second Decade Music Co., Warner-Tamerlane Publishing Corp. BMI. All rights administered by Warner-Tamerlane Publishing Corp. BMI. “The Fishing Hole” (Theme From The Andy Griffith Show), Larrabee Music. Contains samples from “La-Di-Da-Di” courtesy of Danya Records. Published by Slick Rick Music BMI and Entertaining Music administered by Danica Music.
Track 4-12, “Chocolate Chip”, contains samples from “Bumpin’ On Young Street” by [url=/artist/48871]Young-Holt Unlimited[/url], courtesy of Atlantic Records. Under license from Warner Special Products. Written by Bobby Lyle. Published by Yo-Ho Music and Ambitious Music BMI. Contains samples from “Thanks For Everything” by [url=/artist/131969]Pleasure[/url], under license from Fantasy Records.
Track 4-13, “High Speed Chase”, contains sample of “Street Lady” as performed by [a20956] used under license from Blue Note Records, a division of Capitol Records Inc.
Track 4-14, “Blow”, contains a sample of “Give It Up Or Turn It Loose” by [a12596], under license from Polygram Special Products, a division of Polygram Group Distribution Inc.
Track 4-16, “Fantasy”, contains a sample of “Love Pains” by [a228849] courtesy of Motown Records. Written by Jesse Boyce and Sanchez Harley. Published by Stone Diamond Music Corp. and Song Taylor Music BMI.
Track 4-17, “Duke Booty”, contains a sample of “Jungle Strut” by [a45107], under license from Fantasy Records. Published by Prestige Music BMI.

The title of track 1-2 is incorrectly spelled as “Tomas” in the booklet.
The title of track 4-11 is spelled as “The Doo Bop Song” in the booklet.