17 products
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Pre-order: Sumuposauttaja Band – Work and Play 27.3.2026
Preorder: 27.03.2026In an era of hollow simulation, Work and Play arrives as a document of breath, wood, and skin. Recorded between 2024 and 2025, the album finds Sami Aleksi Keinänen trading the synthesized lo-fi nostalgia of his earlier work for a sprawling, organic live sound. Anchored by the battered resonance of his father’s old Landola acoustic guitar, Keinänen leads an expansive eleven-member ensemble — including mainstay Tampere jazz cats, the percussionists of the afrobeat/fusion band Maajo, and a three-piece vocal choir — through six tracks of playful rhythmic explorations. It is a soulful testament of the power of the collective, where the loose-limbed spirit of jazz meets the rhythmic sensibilities of West African pop and the polished melodies of late-80s sophisti-pop. Out 27.3.2026 on Puro Recordings. -

Pre-order: Pietu Arvola – Silmät sulaa 13.3.2026
Described by Arvola as his “summer album,” Silmät sulaa (Eyes Melt) is less a pastoral escape and more a hallucinatory collage of fragmented nostalgia. Composed over two winter months in early 2024, the album unfolds like a fever dream, where memories of blissful family summer holidays collide with impressions of a burning childhood home and the harrowing yellow gleam of melting candy eyeballs. The record arcs from the luscious ambient string motifs of Side A into a side B that spirals into a more unstable, otherworldly terrain. Utilizing a tactile arsenal of daxophone, Cocoquantus, and modular synthesis, Arvola sometimes processes these textures through reel-to-reel tape, allowing the compositions to slowly unravel and decay. It is a brilliant, uneasy study of memory refracted through a lens of modern experimentalism. Out 13.3.2026 on Puro Recordings. -

Pre-order: Matt Gold & Dustin Laurenzi – Devotional Fade 24.4.2026
Preorder: 24.04.2026Black vinyl, matte sleeve & protective inner sleeve. Out 24.4.2026 on We Jazz Records. Matt Gold and Dustin Laurenzi present Devotional Fade, a collaborative record of electroacoustic rhythmic improvisations – equal parts meditation and dance, released on We Jazz Records, 24th April. Laurenzi and Gold, key collaborators in the Chicago creative scene and with genre spanning artists such as Bill Callahan and Makaya McCraven, step forward here with a major artistic statement, a product of extended improv sessions capturing the duo’s hypnotic interplay. This is the sound of two of Chicago’s most vibrant instrumental voices listening deeply, communing in sound. Recorded in Laurenzi’s attic studio, Devotional Fade emerged from a series of weekly sessions over the course of a single month. The duo kept the tape rolling continuously each day and selected a number of immersive sonic worlds to present, oscillating between patient, sacred minimalism and wild, dancefloor-worthy combustion. The pair set two parameters to heighten the sessions’ stakes: editing would be kept to a minimum, and a rule of “no pitched overdubs” was put in place – ensuring that all melodic and harmonic gestures would have to be committed in real time. Laurenzi and Gold held true, only sparingly adding a stray shaker or brush to these already largely complete improvisations. Devotional Fade is imbued with quiet propulsion and ecstatic repetition. Dustin Laurenzi; tenor saxophone, clarinet, synthesizers Matt Gold; electric bass, drum machine, percussion Composed by Dustin Laurenzi and Matt Gold Recorded by Dustin Laurenzi and Matt Gold in Chicago, IL Mixed by Dave Vettraino Mastered by David Allen Design by Matti Nives -

Pre-order: Buck Meek – The Mirror (Clear Vinyl) 27.2.2026
Buck Meek has an album on the way. The singer-songwriter and Big Thief guitarist will release The Mirror, the follow-up to Haunted Mountain, on February 27, via 4AD. With the announcement comes a single, “Gasoline,” and a Noel Paul–directed video featuring the musicians who play on the track: Ken Woodward, Adam Brisbin, and Jesse Quebbeman-Turley. Big Thief drummer and sometime producer James Krivchenia produced the new LP at Meek and Germaine Dunes’ log-cabin studio in Los Angeles, Ringo Bingo. Adrianne Lenker contributed vocals, and ambient composers Alex Somers and Mary Lattimore are also among the players. -

Pre-order: Bonnie “Prince” Billy – We Are Together Again 6.3.2026
Preorder: 06.03.2026However dimly we perceive it, we are living through a change of worlds. The one we were born into is slipping away, reshaped and denuded by human action. What remains is the question of what we will carry forward, and how we will refuse to surrender ourselves. Will Oldham’s new album, We Are Together Again, feels like an answer. In Oldham’s songs - and in the circle of others gathered beneath the name Bonnie “Prince” Billy - friendship, community, and the stubborn joy of making art with others become a means of persistence. This isn’t a denial of collapse, which would be delusion, but a kind of defiance: remaining fully human, fully joyful, in a world with a diminishing horizon. We Are Together Again was recorded at End of an Ear studios in Louisville, Kentucky. After a brief sojourn in Nashville for The Purple Bird it continues his recent ambition - beginning with I Made A Place and Keeping Secrets Will Destroy You - to make records in Louisville. -

Pre-order: sunn O))) – sunn O))) (Loser Edition Oxblood Vinyl) 3.4.2026
Preorder: 03.04.2026For nearly 30 years, SUNN O))) – Stephen O’Malley and Greg Anderson – have pushed the boundaries of heavy music, straddling the worlds of the avant-garde and rock to forge a style instantly recognisable as their own. Now, SUNN O))) return with their first album of new material since 2019’s acclaimed Pyroclasts. Their tenth album – their debut for new label Sub Pop – demonstrates the duo’s mastery of time and space, light and dark, and their willingness to evolve their unmistakable sound into bold new forms. The eponymously titled SUNN O))) was tracked at Bear Creek Studios, Woodinville, Washington with Brad Wood (HuM, Tar, Sunny Day Real Estate, Liz Phair). This location would prove crucial to the recording process. -

Pre-order: Modem – Interface CD
The Helsinki-based synth-pop duo Modem return with their second full-length album, Interface - a sleek, mirror-tiled exploration of identity, illusion, and emotional architecture. Rooted in the cool pulse of minimal synth-pop, the noir haze of '80s soundtracks, and the emotional tension of early Depeche Mode, Interface is both a love letter to the past and a razor-sharp commentary on the present. Gothic glamour, new wave gloss, and fluorescent melancholy all find their place in Modem's sonic universe. Each track acts like a layer in a system - personas flicker, masks glitch, and reality fragments. It's a concept album for the age of curated selves and algorithmic intimacy. Identity isn't a mirror - it's an interface. Track list:- Face2
- BS
- Ave Maria
- Image
- Passio
- Pagliacci
- Cowboy
- Paino
- Kulta-aika
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Pre-order: Aleksandra Ionowa – Improvisations on the Grand Piano COLOUR
Aleksandra Ionowa (1899–1980) was a Finnish-Russian artist, mystic, and largely self-taught pianist whose music feels like a transmission from another realm. Her artistic life began in 1946, after what she described as a mystical experience of heavenly union—“Heaven was in me, I was in heaven.” In its wake, she began to draw obsessively, eventually creating thousands of visionary works that she considered guided by the Theosophical Masters. The same experience also led her to start improvising on the piano, shaping music that, for its time, was unusually free and abstract. Recorded on a November day in 1978, when Aleksandra Ionowa was 79 years old, Improvisations on the Grand Piano is a meditative and deeply intuitive album, shaped more by timbre and tone than by melody. Her shimmering playing unfolds like flashes of light through leaves, or sunbeams playing on rippling water: a music of transience and transformation, yet carrying a timeless stillness at its core. To today’s listener, her pentatonic piano stylings might feel kindred to the spiritual intimacy of artists like Laraaji and Emahoy Tsegué-Maryam Guèbrou, while remaining wholly her own. Originally self-released on vinyl and cassette, the album is reissued for the first time in co-operation with Ultraääni Records and Puro Recordings. This new edition is available on standard black 180g vinyl and a limited splatter-colored 180g version. The release also includes additional artwork and a newly commissioned essay by Samuli Huttunen, offering historical and spiritual context for her work.Out 26.9.2025 on Puro Recordings & Ultraääni Records. Grand Piano & Cover Artwork – Aleksandra Ionowa Recorded by Robi De Godzinsky Audio Restoration & Mastering by Jussi Suonikko and Teemu Into Lacquer Cut by Timmion Cutting Photography by Asko Rysä Layout by Teemu Into Liner Notes by Samuli Huttunen Translations by Viljami Hukka -

Pre-order: Aleksandra Ionowa – Improvisations on the Grand Piano
Aleksandra Ionowa (1899–1980) was a Finnish-Russian artist, mystic, and largely self-taught pianist whose music feels like a transmission from another realm. Her artistic life began in 1946, after what she described as a mystical experience of heavenly union—“Heaven was in me, I was in heaven.” In its wake, she began to draw obsessively, eventually creating thousands of visionary works that she considered guided by the Theosophical Masters. The same experience also led her to start improvising on the piano, shaping music that, for its time, was unusually free and abstract. Recorded on a November day in 1978, when Aleksandra Ionowa was 79 years old, Improvisations on the Grand Piano is a meditative and deeply intuitive album, shaped more by timbre and tone than by melody. Her shimmering playing unfolds like flashes of light through leaves, or sunbeams playing on rippling water: a music of transience and transformation, yet carrying a timeless stillness at its core. To today’s listener, her pentatonic piano stylings might feel kindred to the spiritual intimacy of artists like Laraaji and Emahoy Tsegué-Maryam Guèbrou, while remaining wholly her own. Originally self-released on vinyl and cassette, the album is reissued for the first time in co-operation with Ultraääni Records and Puro Recordings. This new edition is available on standard black 180g vinyl and a limited splatter-colored 180g version. The release also includes additional artwork and a newly commissioned essay by Samuli Huttunen, offering historical and spiritual context for her work.Out 26.9.2025 on Puro Recordings & Ultraääni Records. Grand Piano & Cover Artwork – Aleksandra Ionowa Recorded by Robi De Godzinsky Audio Restoration & Mastering by Jussi Suonikko and Teemu Into Lacquer Cut by Timmion Cutting Photography by Asko Rysä Layout by Teemu Into Liner Notes by Samuli Huttunen Translations by Viljami Hukka -

We Jazz Magazine, Issue 16: Thembi (Fall 2025)
We Jazz Magazine, Issue 16 / Fall 2025 "Thembi" for Pharoah Sanders. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. 50 pages of Pharoah Sanders by Philip Arneill, Henry Boon, Pierre Crépon, Tony Higgins, Arsi Keva, Patrick Preziosi, Andy Thomas, Seymour Wright, Tomoki Sanders by Tej Adeleye, Don Cherry by Magnus Nygren, Sinsuke Fujieda by Rui Miguel Abreu, Jameszoo by Rob Garratt, Tony Purrone by Wolfgang Mowrey, Reco's Mini LP Covers, Discaholic column by Mats Gustafsson, album reviews, live reviews, photo essay & more. Out 25.9.2025, released by We Jazz. -

We Jazz Magazine, Issue 15: Forfolks (Summer 2025)
We Jazz Magazine, Issue 15 / Summer 2025 "Forfolks" for Jeff Parker. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Jeff Parker by Andy Beta, Peter Margasak & Scott McNiece, Elaine Brown by Pierre Crépon, David Murray by Bret Sjerven, Adele Sauros by Wif Stenger, Rafael Toral by HT Nuotio, Lush Life by Seymour Wright, The Connection by Patrick Preziosi, Nels Cline by Bret Sjerven, Discaholic Column by Mats Gustafsson, album reviews, book reviews, live reviews, photo essay & more. Out on 11.7.2025, released by We Jazz. -

Ambient – The “Brian” Cap (2025 Edition)
Back by popular demand!!! This is the third entry in our "composer" series of caps produced together with graphic designer and drummer Tomi Leppänen. ONE SIZE FITS ALL, ADJUSTABLE. Black cap with white AMBIENT embroidery or white cap with black AMBIENT embroidery or Pastel Mint cap with white AMBIENT embroidery. In celebration of Brian Eno -

We Jazz Magazine, Issue 14: Cosmos (Spring 2025)
We Jazz Magazine, Issue 14 "Cosmos" for Sun Ra. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Includes a collection of Sun Ra pieces by Francis Gooding, Mats Gustafsson, Rui Miguel Abreu, Stewart Smith and Joshua Lane, rare Sun Ra Arkestra photos by Guy Stevens, Larry Stabbins by Dave Waller, Angélique Kidjo by Rob Garratt, Heli Hartikainen by Wif Stenger, Alan Wilkinson by Daniel Spicer, Black Artists Group by David Mittleman, Mike Stern by Rob Garratt, album reviews, book reviews, live reviews, photo essay & more. Release date 29.4.2025. -

We Jazz Magazine, Issue 10: Dominoes (Winter 2023)
128 pages 174 x 240 mm 140g Edixion paper laminated 300g Invercote covers -

Jazz kiinnostaa T-shirt
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We Jazz T-shirt
We Jazz T-shirt 2023 edition